{"id":155,"date":"2026-06-16T04:13:59","date_gmt":"2026-06-16T04:13:59","guid":{"rendered":"https:\/\/parinazhashemi.com\/?page_id=155"},"modified":"2026-06-16T05:30:18","modified_gmt":"2026-06-16T05:30:18","slug":"resume","status":"publish","type":"page","link":"https:\/\/parinazhashemi.com\/?page_id=155","title":{"rendered":"CV"},"content":{"rendered":"\n

Parinaz Hashemi<\/strong><\/h1>\n\n\n\n

Independent Documentary Filmmaker \u2022 Director \u2022 Editor \u2022 Author<\/strong><\/p>\n\n\n\n

Professional Profile<\/strong><\/h2>\n\n\n\n

Parinaz Hashemi is an independent documentary filmmaker, editor, author, and researcher from Tehran, Iran, with more than twenty years of experience in cinema and television. She has contributed to over forty film and television productions in roles such as assistant director, editor, programmer, and production coordinator.<\/p>\n\n\n\n

In 2009, following the political events in Iran, she chose to leave institutional filmmaking and pursue a fully independent path. Since then, she has refused collaboration with government-affiliated productions and has continued her work without financial support from governmental institutions. This independence has allowed her to maintain full creative freedom and remain committed to stories that are often overlooked.<\/p>\n\n\n\n

As a solo filmmaker, she travels across Iran documenting the lives of people whose voices are rarely heard. Her films explore social issues, cultural identity, marginalized communities, and human resilience. Through cinema, she aims to create a space where invisible stories can be seen and unheard voices can be heard.<\/p>\n\n\n\n

Education<\/strong><\/h2>\n\n\n\n

Associate Degree in Curatorial Studies<\/strong> University of Cultural Heritage, Tehran, Iran<\/p>\n\n\n\n

Publications<\/strong><\/h2>\n\n\n\n
    \n
  • 2001 \u2013 <\/strong>Bachehaye Naft (Children of Oil)<\/strong><\/em> \u2014 Author<\/li>\n\n\n\n
  • 2004 \u2013 <\/strong>Bachehaye Bam<\/strong><\/em> \u2014 Author<\/li>\n\n\n\n
  • 2008 \u2013 <\/strong>Divar Neveshtehaye Zendan-e Ghasr (The Writings on the Walls of Qasr Prison)<\/strong><\/em> \u2014 Author<\/li>\n<\/ul>\n\n\n\n

    Filmography<\/strong><\/h2>\n\n\n\n

    Director \/ Editor<\/strong><\/h3>\n\n\n\n
      \n
    • 2025 \u2014 Bashla<\/em><\/li>\n\n\n\n
    • 2024 \u2014 Lilium<\/em><\/li>\n\n\n\n
    • 2022 \u2014 Colorful Dreams<\/em><\/li>\n\n\n\n
    • 2021 \u2014 My Share<\/em><\/li>\n\n\n\n
    • 2019 \u2014 A Girl from Parsian<\/em><\/li>\n\n\n\n
    • 2018 \u2014 The Little Red Fish<\/em><\/li>\n\n\n\n
    • 2016 \u2014 The Rhythm of My Life<\/em><\/li>\n\n\n\n
    • 2014 \u2014 Lost Human Language<\/em><\/li>\n\n\n\n
    • 2008 \u2014 A Smile for Fire<\/em><\/li>\n\n\n\n
    • 2005 \u2014 Next Time<\/em> (Short Film)<\/li>\n\n\n\n
    • 2004 \u2014 I Speak to You and I Know That You Hear Me<\/em><\/li>\n<\/ul>\n\n\n\n

      Editor<\/strong><\/h3>\n\n\n\n
        \n
      • 2017 \u2014 Ali vs Ali<\/em> (Documentary)<\/li>\n\n\n\n
      • 2010 \u2014 Behind Ashpazbashi<\/em> (Making-of Documentary)<\/li>\n\n\n\n
      • 2008 \u2014 Che Guevara<\/em> (Documentary)<\/li>\n<\/ul>\n\n\n\n

        Professional Experience<\/strong><\/h2>\n\n\n\n

        More than twenty years of experience in cinema and television across over forty productions in roles including:<\/p>\n\n\n\n

          \n
        • Documentary Direction<\/strong> \u2014 Creative development, directing, and field production<\/li>\n\n\n\n
        • Film Editing<\/strong> \u2014 Narrative structure, pacing, and post-production<\/li>\n\n\n\n
        • Assistant Directing<\/strong> \u2014 Set coordination and workflow management<\/li>\n\n\n\n
        • Production Coordination<\/strong> \u2014 Logistics, scheduling, and team organization<\/li>\n\n\n\n
        • Programming<\/strong> \u2014 Content curation and project planning<\/li>\n\n\n\n
        • Script Supervision<\/strong> \u2014 Continuity and narrative consistency<\/li>\n\n\n\n
        • Research<\/strong> \u2014 Field research and content development<\/li>\n<\/ul>\n\n\n\n

          Technical Skills<\/strong><\/h2>\n\n\n\n
            \n
          • Adobe Premiere Pro<\/strong><\/li>\n\n\n\n
          • Final Cut Pro<\/strong><\/li>\n\n\n\n
          • Adobe Photoshop<\/strong><\/li>\n\n\n\n
          • Documentary Research<\/strong><\/li>\n\n\n\n
          • Film Editing<\/strong><\/li>\n\n\n\n
          • Production Management<\/strong><\/li>\n<\/ul>\n\n\n\n

            Languages<\/strong><\/h2>\n\n\n\n
              \n
            • Persian \u2014 Native<\/li>\n\n\n\n
            • English \u2014 Working Proficiency<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

              Parinaz Hashemi Independent Documentary Filmmaker \u2022 Director \u2022 Editor \u2022 Author Professional Profile Parinaz Hashemi is an independent documentary filmmaker, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-155","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/parinazhashemi.com\/index.php?rest_route=\/wp\/v2\/pages\/155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/parinazhashemi.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/parinazhashemi.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/parinazhashemi.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/parinazhashemi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=155"}],"version-history":[{"count":5,"href":"https:\/\/parinazhashemi.com\/index.php?rest_route=\/wp\/v2\/pages\/155\/revisions"}],"predecessor-version":[{"id":169,"href":"https:\/\/parinazhashemi.com\/index.php?rest_route=\/wp\/v2\/pages\/155\/revisions\/169"}],"wp:attachment":[{"href":"https:\/\/parinazhashemi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}